BEHIND THE SCENES SUMMARY + VIDEO LINK FOR MY 4th WORKSHOP

Hi everyone and apologies for the lateness of this Blog but as promised here it is. Also at the bottom of this Blog is a link to a video of this summary complete with an added review of the post production technique used to achieve the final image 😀

In my last couple of workshops, the assignments have all been about shooting glass and liquids so this latest assignment will cover some of what’s been done already. The remit for this assignment was to shoot two glasses of liquid against a pure white background. Sounds simple but is in fact quite technically challenging. So, let’s get started.

Here’s the finished image:

Finished image

And here’s how we achieved it:

Take two glasses of coloured liquid and place them on a black plexiglass shooting table (fig 1).

The two glasses on a shooting table

(fig 1) The two glasses on a shooting table

It’s probably a good idea at this stage to make sure the glasses and table are clean (unlike the ones in this demo setup) 😀

(fig 2) Softbox as a background

Now, the background needs to be pure white, so we used a large softbox for this (fig 2) which gives us the flexibility to adjust the light and we can do that in two ways. We can either increase or decrease the power of the strobe or we can move the softbox nearer or away from the subject.

Let’s now introduce a softbox and difuser panel combination to create the gradient highlights on the left hand side of the glasses which you can see here (also note that the highlight goes all the way up the sides of the glasses.

As you can see in (fig 4) I have placed a stripbox behind a difuser panel at about a 45 deg angle which creates the desired results.

(fig 4) stripbox & difuser combination

 

The only other thing I added to this setup was a reflector panel (white foamboard) to the right hand side of the subject (fig 5) just to bounce a bit more light into what was otherwise a slightly dark area.

(fig 5) Reflector

Well, that’s the set up, but it’s by no means the end of the story. As I mentioned earlier, the background needs to be pure white. Ok, we can do that – but when we do, what happens? Unfortunately, we loose the gradient highlights we created at the top of the glasses where there is no liquid and we loose the definition of the glass edges in this area too (fig 6).

(fig 6) lost highlights and definition on top of glass

So what’s the solution? Well, the stark reality is, that we can’t always achieve exactly what we want in camera. Sometimes there has to be a compromise and we have to finish the image in post production and in this case, it’s got to be the background that gets edited. It’s more important to make sure that the product, the glasses in this case, are correctly exposed and the background then becomes slightly under exposed (not pure white). It’s going to be  much easier to adjust the background in post production than it would to adjust the product.

The video link which you can find below will take you to the video summary of this workshop and also includes how we did the post production to achieve the final image. So I hope this will be of help to you in your photography 😀

WATCH THE VIDEO HERE   http://www.youtube.com/watch?v=i8gS6jTFvKE&feature=youtu.be

Cheers

Terry Croom

www.terrycroom.com

AN IMAGE FROM OUR LAST WORKSHOP

This is a couple of glasses of food colouring in water to get a nice combination of colours. But more importantly, this image is all about lighting as is my workshops and a lot of time was spent on achieving the really nice gradient to the left hand side of the glasses. This is not as simple as it may seem and I will be uploading a video and written example of how it was done. If you would like to find out more about this kind of photography, get in touch and join the fun 😀

Workshop image

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Terry Croom

www.terrycroom.com

OCTOBER WORKSHOPS – FULLY BOOKED & CLOSED

But don’t despair, I’m taking bookings  for November 2012 and dates are still available for the 3rd, 10th, 17th and 24th. Get in quick though because these will be the last workshops for 2012. I’m not doing any in December because of work commitments and in January 2013, I’m going to be in a very remote part of Brazil on a three week shoot (more about that next year) 😀 Next workshops will therefore be in February 2013. So come and have some fun and take the opportunity of doing a professional product shoot in a professional studio 😀

Cheers

Terry Croom

www.terrycroom.com

CHEESE & WINE SHOOT

ok – I’ve been asked about the lighting set up for the Cheese and Wine shoot which we did on our Saturday Workshop. I will put together a Behind The Scenes set up with photos very soon and possibly a short video. I’m currently planning various workshops and tutorials which is eating into my time so please be patient with me and keep watching my Blog for further developments 😀

WOW I JUST BOUGHT THE BOX BROWNIE 6 – 20 D

The original point and shoot (then wait for 3 to 4 weeks to see if anything came out) Box Brownie six – 20 D from Kodak is my latest camera purchase and I got her today. This was probably the first camera I encountered and if you remember this model, you’re as old as I am. It was around in the late 50’s early 60’s and it was mass produced and owned by anyone who could afford one back then. The model D has the added luxury of flash connectors and was cutting edge – all I need to do now is find a flash to fit it and some film 😀 Maybe I’ll just put her in the studio to take pride of place for all to see.

Image

Cheers

Terry Croom

www.terrycroom.com